Q&A: Luke Arnold, Author of ‘The Last Smile In Sunder City’

Luke Arnold may be better known to some as a veteran performer on film, TV, as well as theater, but now he’s turned his creative energies towards a new career as a writer. His debut novel, The Last Smile In Sunder City, published on January 28th (AUS) and February 6th (UK) with it to be released February 25th in the US, so we took the opportunity to chat to him about the inspiration for his story, how he manages to balance two careers, and discovering a new love for the fantasy genre.

Thanks for taking the time to talk to us! Firstly, can you tell us a bit about yourself?

For the last decade or so I’ve been lucky enough to work as an actor on a bunch of great projects in Australia (my home) and around the world. Some people might know me as John Silver on a show called Black Sails. One of the quirks of being an actor is that every job ends so you often end up with huge chunks of time while you wait for the next gig. After finishing my work on Black Sails, I used that downtime to write my debut novel The Last Smile in Sunder City.

Has writing always been a passion and how does it fit in with your acting career?

The writing came first. In some ways, the acting was a side-effect of the fact that I was writing things that needed to be performed. My high school principal even warned me that while my writing was impressive, my acting left a lot to be desired. Nevertheless, when I was accepted into university courses for acting, filmmaking and writing, I decided that I’d start with acting and return to writing later. I thought that I’d be a better writer after gaining a little life experience and a career in acting has certainly given me that.

For me, all the creative energy comes from the same place, it’s just expressed in different ways. I’m sit on my own, bashing out a manuscript for a few months, then get called onto set to collaborate with a bunch of other artists for a while. It’s the best of both worlds.

How would you describe your debut novel, The Last Smile in Sunder City, in one sentence?

A hard-boiled detective gets kicked around an dystopian fantasy world hunting real monsters while running from his demons.

The Last Smile in Sunder City features magical beings in a world struggling to deal with the aftermath of magic being lost, which is a very unique concept for a fantasy novel! Do you read much fantasy yourself? If so, was this a deliberate response to common fantasy tropes?

Before writing this book, my knowledge of the fantasy genre was actually pretty abysmal. I cast a wide net with what I read, and I’d had a few early experiences with the genre that kind of turned me off. I’m doing my best to catch up and have quickly realised that I’ve been missing out. It’s an exciting time for fantasy and sci-fi where a lot of writers are breaking the mould of what we thought the genre could be.

This wasn’t a response to existing tropes but I wanted this world to feel as familiar as possible, so that it feels as easy to read as a mystery set in somewhere like Los Angeles. I’m far from the first writer to create a world where the magic is missing, but I hope I’m sitting in the aftermath and examining the idea in a way that feels fresh.

Were there any intentional references to real-life issues in this book? I may be reading too much into it, but I wondered if the issue with magic being lost and its impact on all the species was an analogy for climate change?

It’s hard to avoid the link between the broken world of Sunder City and what’s happening around us, but that wasn’t the initial inspiration. For me, it represents something more internal. As we get older, life can seem less magical than it did when we were kids, even when the world isn’t actually falling to pieces like it is now.

Of course, with things the way they are, I spend a lot of time wondering how to do some good in a breaking world and those thoughts definitely add fuel to Fetch’s journey.

If this book were to be adapted, what format would you prefer it to be, and why?

I think it would really suit a television show. Mystery has always works well on TV but in this golden-era of content, I think we could make something special. Indulge in all the film-noir elements and make something really unique.

The most exciting part would be letting other characters take the story for a bit. These book are all in Fetch’s head but a series would let us wander the streets with other characters and give them time to shine.

The story is told entirely in the first person. How easy was it to get into Fetch’s head and maintain his mindset the whole time? Did you ever have difficulty separating yourself from the darker, at times depressing mood of the book?

While writing the second book, I realised that I needed to shake Fetch out of my system at the end of a writing day. I’m put a lot of my worst tendencies into him, things that I hope I’ve grown past, and spending too much time in his head can drag me backwards. Luckily, Fetch will grow over the course of the books so maybe they won’t always be such dark waters to swim in.

How does your experience with acting and portraying other characters help with creating your own original characters?

It definitely had an effect but it’s hard to pinpoint exactly how. I hope that it had an effect on the secondary characters. As an actor, you become aware of when a character is making choices aren’t organic, but just serve the plot and the needs of the protagonist. Ideally, each character has their own internal world, wants and needs, so that they would be satisfying for an actor to play.

Can you tell us a bit about your writing process? For instance, the world of Sunder City is very detailed, did you figure out the nuts & bolts of its history and workings while you were writing or was there a bible that you created beforehand to refer to?

I started with some of the broad strokes in my head, but I first discovered Sunder City by letting Fetch walk the streets. It began with a short story and I had no outline, no map, no bible. I just set him off on a case and followed him around as he kicked over stones. Of course, there were many rewrites and expansions that took me to the final manuscript, and I now have a huge document with all the species, businesses, streets, histories, technologies, etc, but Fetch came first. I try not to get ahead of him because I want to use the world to best reflect his current state of mind and challenge him in specific ways.

Aside from the sequel, would you write more books in this genre or branch out into others?

I wish I had the time to write everything I want to. I hope to branch out and write something separate the Fetch Phillips archives soon. Not necessarily fantasy, but I do always like a touch of magic realism in what a write. So it will more likely be horror or sci-fi rather than anything too naturalistic but you never know.

And finally, what are you currently reading? Do you have any recommendations?

I’ve just digging into The Bone Ships by R.J. Barker which I am loving. Very on-brand with my pirate past. Rage of Dragons by Evan Winter was brilliant. In some ways, it felt like the exact opposite kind of fantasy to The Last Smile in Sunder City and I love that.

You can find Luke on Twitter and Instagram, along with at his website.

Will you be picking up The Last Smile In Sunder City? Tell us in the comments below!