After coming up with book recommendations inspired by Taylor Swift’s folklore in this post, I thought it would be fitting to give evermore a similar treatment since this album is just as imaginative and evocative. These two albums were incredibly poignant and the stories they told easily made me connect them with various books that had similar themes and evoked strong emotions in me just like Swift’s music. Down below are 17 books, one for each of the songs from the deluxe version of evermore, hopefully you will find some new favourites among them.

willow – Percy Jackson and the Olympians series by Rick Riordan

Willow is a song that reminds me a lot of Percy and Annabeth because it’s mainly about soulmates finding each other and trying to overcome difficulties in order to stay together. Something that I adore about their love story was their devotion to each other—no matter how many creatures they’ve had to face, how many difficult quests and trials, they still made it work (The more that you say, the less I know/Wherever you stray, I follow/I’m begging for you to take my hand/Wreck my plans, that’s my man/Wait for the signal, and I’ll meet you after dark/Show me the places where the others gave you scars).

The marine and mythical motifs also make me think of Percy and Annabeth’s heritages, both of them having godly parents and being warriors (I’m like the water when your ship rolled in that night/Rough on the surface, but you cut through like a knife/As if you were a mythical thing/Like you were a trophy or a champion ring/And there was one prize I’d cheat to win).

champagne problems – The Bell Jar by Sylvia Plath

Many people pointed out the similarities between Little Women and champagne problems, but I can’t attest to that because I haven’t read the second part of the book yet. But when I heard the line “This dorm was once a madhouse”/I made a joke, “Well, it’s made for me”, it instantly made me think of Esther refusing Buddy’s marriage proposal and him telling her she’s crazy for never wanting to marry.

The Bell Jar is a touching tale about mental health, the story focusing on Esther and her desire to write a novel, to be someone special, to achieve great things in life. But as she graduates and completes her internship, she doesn’t feel quite ready to face the real world. The societal pressures to get married, to have an amazing career, it all overwhelms her and her mental health worsens as a consequence (I never was ready so I watch you go/Sometimes you just don’t know the answer/’Til someone’s on their knees and asks you/”She would’ve made such a lovely bride/What a shame she’s fucked in the head,” they said/But you’ll find the real thing instead/She’ll patch up your tapestry that I shred).

gold rush – House of Mirth by Edith Wharton

Wharton’s protagonist, Lily Bart, knows the hardships and the advantages of being extraordinarily beautiful. She gets plenty of opportunities to marry rich and escape poverty once and for all due to her looks and charm. But she’s also thrown into horrendous scandals because of the same qualities.

When I listen to gold rush, I imagine this might be how Lawrence Selden sees Lily Bart (Gleaming, twinkling/Eyes like sinking ships on waters/So inviting, I almost jump in/ I don’t like that anyone would die to feel your touch/Everybody wants you/Everybody wonders what it would be like to love you/What must it be like to grow up that beautiful?/With your hair falling into place like dominoes)—a great beauty that he can’t quite stay away from even though he understands that she’s not meant for him, that they wouldn’t fit well together because she has high aspirations of becoming rich and securing her place in the high society while he’s satisfied with a quiet, not-quite-as-shiny life. Their love story is essentially a will-they-won’t-they romance and it fits Swift’s song like a glove (At dinner parties I call you out on your contrarian shit/And the coastal town we wandered round had never seen a love as pure as it/And then it fades into the gray of my day-old tea/’Cause it could never be).

‘tis the damn season – Pumpkinheads by Rainbow Rowell

Pumpkinheads is the story of Deja and Josiah who are seasonal best friends. They work together from the beginning of September until the end of October at the same pumpkin patch and they never really interact with each other after Halloween.The book starts with their last year together as they are both going away for college and deals with the nostalgic feelings they have about their friendship, their autumns spent at the patch and everything they did and didn’t. Deja is determined not to let the blues destroy their last night at the patch, so she tries to take Josiah to all the good rides, eat the most delicious sweets and help him talk to the girl he has a crush on.

Their adventure is exciting and will definitely give you happy feelings, you will also root for these two to explore the hidden feelings they harbour for each other (‘Tis the damn season, write this down/I’m stayin’ at my parents’ house/And the road not taken looks real good now/Time flies, messy as the mud on your truck tires/Now I’m missing your smile, hear me out/We could just ride around/And the road not taken looks real good now/And it always leads to you and my hometown). But even though it’s a light book, it’s also filled with wistfulness and homesickness just like Swift’s song (And wonder about the only soul/Who can tell which smiles I’m fakin’/And the heart I know I’m breakin’ is my own).

tolerate it – The Penelopiad by Margaret Atwood

This is my favourite song off the album, it tells the story of a strained marriage – the wife is very dedicated and loving while the husband just tolerates her. The Penelopiad is a retelling of The Odyssey from the perspective of Penelope, the faithful wife of Odysseus who waited for him to come back from Troy year after year without losing hope in him. Atwood challenges the mythical image of the loyal, patient, and uncomplaining wife and tries to dig deeper into her character showing some unseen sides of her—that she was perhaps bitter, jealous and angry with her husband for his infidelity (I greet you with a battle hero’s welcome/I take your indiscretions all in good fun/I sit and listеn, I polish plates until they gleam and glistеn/You’re so much older and wiser and I).

I also think the relationship between Penelope and Odysseus fits this song so well because they are both incredibly clever, but only Odysseus gets real recognition for his skills while Penelope ends up being known for her dedication rather than her shrewdness. She also has to trick the suitors years upon years, yet Odysseus gets the credit for dealing with them (While you were out building other worlds, where was I?/Where’s that man who’d throw blankets over my barbed wire?/I made you my temple, my mural, my sky/Now I’m begging for footnotes in the story of your life/Drawing hearts in the byline/Always taking up too much space or time/You assume I’m fine, but what would you do if I/Break free and leave us in ruins/Took this dagger in me and removed it/Gain the weight of you, then lose it/Believe me, I could do it). A Thousand Ships by Natalie Haynes has a very similar vibe and you should definitely check it out!

no body, no crime – The Echo Wife by Sarah Gailey

There’s a whole sub-genre dedicated to marriage thrillers and probably most of those books would match Swift’s haunting and very bold song perfectly (off the top of my head, Gone Girl and The Girl on the Train could fit the bill very well). But I believe The Echo Wife by Sarah Gailey is the best match for this song. At its heart, this book has a deadly love triangle with a shocking spin to it.

Evelyn’s husband has been cheating on her with her genetically cloned replica (Her husband’s actin’ different, and it smells like infidelity/She says, “That ain’t my Merlot on his mouth/That ain’t my jewelry on our joint account”/ I think he did it, but I just can’t prove it) and now Evelyn doesn’t have to face only the consequences of the affair, but also the fact that her clone had murdered her husband and they now have to cover up the whole thing (Good thing my daddy made me get a boating license when I was fifteen/And I’ve cleaned enough houses to know how to cover up a scene/Good thing his mistress took out a big life insurance policy/They think she did it, but they just can’t prove it/No body, no crime). This is a very thrilling novel that will keep you on the edge until the very end.

happiness – My Brilliant Friend by Elena Ferrante

I’ve recently read Ferrante’s highly acclaimed tetralogy and I really adored how gritty the first book is. While it tackles very important themes like violence, poverty, sexism, abusive relationships, at its very core it is about the tumultuous, long-lasting friendship between Elena and Lila (Past the blood and bruise/Past the curses and cries/Beyond the terror in the nightfall/Haunted by the look in my eyes/That would’ve loved you for a lifetime/Leave it all behind/And there is happiness). It’s fascinating to watch these two girls grow up and see how their friendship also changes and matures in time. Their connection is very complex—while they are loyal to each other to a fault, there is also an insidious envy between these two. They are always competing with each other and because of this, end up hurting one another more than once (Tell me, when did your winning smile/Begin to look like a smirk?/When did all our lessons start to look like weapons/Pointed at my deepest hurt?/ I can’t make it go away by making you a villain/I guess it’s the price I paid for seven years in Heaven).

The lyrics in happiness remind me a lot of their struggle to get out of their brutal, very poor neighbourhood and how they find solace into each other even as Elena continues to learn and seemingly has a brilliant future ahead while Lila is forced by her parents to go to work instead and marry young (But now I’m right down in it, all the years I’ve given/Is just shit we’re dividin’ up/Showed you all of my hiding spots/I was dancing when the music stopped/And in the disbelief, I can’t face reinvention/I haven’t met the new me/ There’ll be happiness after you/But there was happiness because of you/Both of these things can be true/There is happiness).

dorothea – Beautiful World, Where Are You? by Sally Rooney

Alice and Eileen were once roommates in Dublin and best friends. Now Alice is a renowned author with numerous awards and accolades, and retreated in a more secluded part of Ireland to get away from fame while Eileen is stuck in her job as a literary assistant at a literary magazine that pays her close to nothing. Despite how different their lives are, they still communicate via long emails about politics, relationships, and the (awful) current state of the world (do you ever stop and think about me?/When we were younger down in the park/Honey, making a lark of the misery/A tiny screen’s the only place I see you now/And I got nothing but well wishes for ya).

Eileen would definitely love to have Alice back in Dublin, by her side (Ooh, this place is the same as it ever was/Ooh, but you won’t like it that way/It’s never too late to come back to my side/The stars in your eyes shined brighter in Tupelo), but she knows that what Alice needs is to be in a place where nobody knows her at least for a little while (Ooh, you’rе a queen sellin’ dreams/And if you’re ever tired of bеing known for who you know/You know that you’ll always know me, Dorothea). As it’s a Rooney book, this is full of uncertainty, miscommunication, feelings of insecurity, inadequacy, and whether anything matters in the end (But are you still the same soul I met under the bleachers?/Ooh, I guess I’ll never know/Ooh, and you’ll go on with the show).

coney island – Malibu Rising by Taylor Jenkins Reid

Taylor Jenkins Reid’s latest book tells the story of the vibrant Riva clan – the marriage between June and Mick, the birth of their children, the many affairs, the separations and the reconciliations, and the tragedies that followed. Mick’s dream from the very start is to become a famous musician and give June the life she deserves with a beach house in Malibu and nothing to long for (And do you miss the rogue/Who coaxed you into paradise and left you there?), but as soon as those dreams come true, their relationship becomes to crumble in pieces.

Mick makes his fame and his career his centrefold, forgetting all about his family (And I’m sitting on a bench in Coney Island/Wondering where did my baby go?/The fast times, the bright lights, the merry go/Sorry for not making you my centerfold/The question pounds my head/What’s a lifetime of achievement/If I pushed you to the edge?/But you were too polite to leave me). Their relationship is full of love and they seem completely meant to be, but the mistakes he makes give their love story a bitterness that is oddly familiar to the one described in coney island.

ivy – The Absolutist by John Boyne

Forbidden love, jealousy and betrayal are important themes in this tragic and haunting tale about two soldiers who fall in love while serving the British army in the World War I (How’s one to know?/I’d meet you where the spirit meets the bones/In a faith-forgotten land/In from the snow/Your touch brought forth an incandescent glow/Tarnished but so grand). Tristan and Will have very different outlooks when it comes to war—Tristan is trying to be pragmatic about it and make peace with the fact that there’s not much to do beside fighting and hoping he’d make it out alive (I just sit here and wait/Grieving for the living) while Will is becoming more and more fascinated with pacifistic ideas to the point where he doesn’t want to fight anymore because he thinks the war is completely meaningless (I wish to know/The fatal flaw that makes you long to be/Magnificently cursed).

Besides this, the fact that Will struggles with accepting his sexuality and the constantly hiding gives their relationship this inaccessible and forbidden aura that Taylor Swift is singing about in ivy (What would he do if he found us out?/Crescent moon, coast is clear/Spring breaks loose, but so does fear/He’s gonna burn this house to the ground/How’s one to know?/I’d live and die for moments that we stole/On begged and borrowed time/So tell me to run/Or dare to sit and watch what we’ll become). Even though there’s a lot of anguish and cruel words spoken on both side, these two can’t really stay away from each other (Oh, I can’t/Stop you putting roots in my dreamland/My house of stone, your ivy grows/And now I’m covered in you).

cowboy like me – These Violent Delights by Micah Nemerever

These Violent Delights is a thrilling dark academia book, it has it all—twisted love story, crime and plot-twists that you will never see coming. It tells the story of Paul and Julian, two highly intelligent, kind of pretentious and very dark university freshmen. They become friends after discovering they have very similar ideas on research ethics and afterwards, they keep borrowing books from each other and discussing philosophy, literature and more. Their intellectual friendship soon evolves into obsessive love and the drama gets more and more explosive after Julian’s very rich family comes into the picture as well (Oh, I thought/This is gonna be one of those things/Now I know/I’m never gonna love again/Perched in the dark/Telling all the rich folks anything they wanna hear/Like it could be love/I could be the way forward/Only if they pay for it/You’re a bandit like me/I’ve got some tricks up my sleeve/Takes one to know one/You’re a cowboy like me/Never wanted love/Just a fancy car).

Paul’s constant self-loathing and the way he worships Julian makes their relationship feel suffocating for both of them. So, they have to do something to keep things working between them, something that will unite them forever. What they are going to come up with will definitely shock you (Never thought I’d meet you here/It could be love/We could be the way forward/And I know I’ll pay for it/And the skeletons in both our closets/Plotted hard to fuck this up/And the old men that I’ve swindled/Really did believe I was the one/And the ladies lunching have their stories about/When you passed through town/But that was all before I locked it down).

long story short – The Handmaid’s Tale by Margaret Atwood

I had a hard time coming up with a book for long story short because it seemed to allude to finding the right one after being through absolute hell and I couldn’t settle on one book to illustrate that theme. After much reflecting, I realised it reminds me a lot of June and Nick from The Handmaid’s Tale. June or Offred is a Handmaid in Gilead, a dystopian society where fertility rates have been going down and the regime decided to eradicate women’s rights and separate them in categories (wives, daughters, aunts, handmaids, unwomen, Marthas) with distinct roles.

Handmaids are an asset to the government only while they are fertile as their sole purpose is to give birth. On her third assignment as a Handmaid, June meets Nick who works as a driver for the Commander she’s been assigned to and they find solace and mutual understanding in each other. They are both trying to make the most out of their situations, rebelling in their own ways against a dystopian world that is very hard to escape from (Fatefully/I tried to pick my battles ’til the battle picked me/Misery/Like the war of words I shouted in my sleep/And you passed right by/I was in the alley, surrounded on all sides/The knife cuts both ways/If the shoe fits, walk in it ’til your high heels break/Long story short, I survived). Their love story is all about finding comfort in a kindred soul who can make you forget, at least temporary, about the chaos in your world (And he’s passing by/Rare as the glimmer of a comet in the sky/And he feels like home).

marjorie – Jane: A Murder by Maggie Nelson

Nelson’s Jane is a real story told in verse about the murder of her aunt who was just a student at the University of Michigan when it all happened. The author is trying to navigate both her grief and her family’s despair through the years as the search for the murderer hit a wall again and again. What’s interesting is that Nelson’s been told all her life that she’s very similar to her aunt, and as she starts to dig through Jane’s poems, correspondence, she gets a strange feeling of recognition even though her aunt was murdered a year before her birth (What died didn’t stay dead/What died didn’t stay dead/You’re alive, you’re alive in my head/ All your closets of backlogged dreams/And how you left them all to me). This is a hard-hitting read, very emotional, and definitely captures the grief that is so present in marjorie, but also those tender feelings of total admiration and longing for a loved person who is gone. 

closure – The End of the Affair by Graham Greene

This tragic story is closure on steroids, basically. As the title suggests, this book is about an affair that has come to an end which is very befitting of Swift’s song. Maurice thinks he has no tender feelings left for Sarah after they separated because of his jealousy and her refusal to divorce her husband. When Maurice meets Henry, Sarah’s husband, by chance and finds out that she might be seeing someone else, his jealousy is reignited and he soon discovers that the love or obsession he had for her might still be present. He attempts to find out whether Sarah still has feelings for him, but she maintains her position that they should stay apart despite the evident turmoil she’s going through (It’s been a long time/And seeing the shape of your name/Still spells out pain/It wasn’t right/The way it all went down/Looks like you know that now/ I know I’m just a wrinkle in your new life/Staying friends would iron it out so nice/Guilty, guilty, reaching out across the sea/That you put between you and me/But it’s fake and it’s oh so unnecessary).

There are so many twists and turns even though the story seems old as time on the first glance and Greene’s writing is incredibly powerful and beautiful (Don’t treat me like/Some situation that needs to be handled/I’m fine with my spite/And my tears, and my beers and my candles/I can feel you smoothing me over).

evermore – If Beale Street Could Talk by James Baldwin

This is the first Baldwin that I’ve read, but definitely not the last because he’s incredible and so masterful at writing poignant and emotional stories. If Beale Street Could Talk focuses on Tish and Fonny who are having a baby and want to get married when Fonny is falsely accused of rape and then imprisoned (Gray November/I’ve been down since July/Motion capture/Put me in a bad light/I replay my footsteps on each stepping stone/Trying to find the one where I went wrong/Writing letters). Tish and their families start to militate for his release, try to do anything possible to convince the jury that a racist policeman had set Fonny up for it and that the real culprit is free.

The similarities between book and song reside especially in how well they capture those opposite feelings of desperation and uselessness on one side (Hey December/Guess I’m feeling unmoored/Can’t remember/What I used to fight for/I rewind thе tape, but all it does is pause/On thе very moment all was lost/Sending signals) and then, hope and commitment on the other side that are very representative for the way Tish fights for Fonny, but also has moments when she feels like she can’t do it anymore—the pregnancy and this fight for justice, and she gets down and hopeless about the possibility of a future without Fonny in her life (Can’t not think of all the cost/And the things that will be lost/Oh, can we just get a pause?/To be certain, we’ll be tall again).

This is a hard-hitting story about love, devotion, and racism—it’s one of the most beautiful and saddest love stories I’ve ever read (And when I was shipwrecked/I thought of you/In the cracks of light/I dreamed of you/It was real enough/To get me through).

right where you left me – Acts of Desperation by Megan Nolan

When Nolan’s unnamed narrator meets Ciaran at a gallery event, she instantly falls in love with him. She’s intrigued by his beauty and the way he carries himself with such ease, like he’s completely unaffected by his surroundings. She likes how cold he is and how much she has to work for his affection, his touch, everything. Their relationship is tumultuous and they break up, get back together, cheat on each other—it’s such a mess that the readers will invariably ask themselves how these two are still together. Even the narrator admits that their relationship is abusive, that if she had more self-esteem, she would give Ciaran up, but it takes very long for her to break it off once and for all and start her journey of healing and that’s mostly because of how directionless she feels after their break-ups (Help, I’m still at the restaurant/Still sitting in a corner I haunt/Cross-legged in the dim light/They say, “What a sad sight”/I, I swear you could hear a hair pin drop/Right when I felt the moment stop/Glass shattered on the white cloth/Everybody moved on, I, I stayed there/Dust collected on my pinned-up hair/They expected me to find somewhere/Some perspective, but I sat and stared/Right where you left me).

Ciaran is very handsome and all of her friends think so, way out of her league, and considering she has a dead-end job and nothing interesting going on for herself, Ciaran seems to be the only thing that matters in her life, that sets her apart (Did you ever hear about the girl who got frozen?/Time went on for everybody else, she won’t know it/She’s still twenty-three inside her fantasy/How it was supposed to be/Did you hear about the girl who lives in delusion?/Breakups happen every day, you don’t have to lose it). A hard-hitting story about abuse, toxic relationships – the monologues are so well written that you won’t be able to put this down.

it’s time to go – The Project by Courtney Summers

This haunting song reminded me a lot of Courtney Summers’ latest release that focuses on the way a cult destroys the relationship between sisters. After their parents die in a car accident, Bea is the one who’s supposed to pick up the broken pieces and look for her younger sister, Lo, who’s gravely injured in the hospital. The fear that Bea will lose her sister as well and the pressure to be a grown-up all the sudden must have been too much for her as we find out that she left Lo and joined a cult (When the words of a sister come back in whispers/That prove she was not in fact what she seemed/Not a twin from your dreams/ That old familiar body ache/The snaps from the same little breaks in your soul).

As the years pass, Lo tries to connect with her sister and convince her to come back home, but it’s to no prevail and that intrigues her in a way. It makes her wonder what is so special about Lev’s charm and beliefs that he has her sister wrapped around his little finger. This is a fascinating look into cults, what it takes to join a cult and even more, to leave one (Fifteen years, fifteen million tears/Begging ’til my knees bled/I gave it my all, he gave me nothing at all/Then wondered why I left/Now he sits on his throne in his palace of bones/Praying to his greed/He’s got my past frozen behind glass/But I’ve got me/Sometimes to run is the brave thing/Sometimes walking out is the one thing/That will find you the right thing).

What recommendations do you have? Tell us in the comments below!

The post Book Recommendations Based On Taylor Swift’s ‘Evermore’ appeared first on The Nerd Daily.

To call These Violent Delights a dark academia novel is to simply brush the surface of the literary complexity that awaits the reader. It’s a dark novel that revolves around the pursuit of self-understanding in an academic setting, but it’s also so much more. The depths of darkness come from the characters own application and exploration into the murky ethics of psychology while posing philosophical thought experiments with discomforting ends. To open these pages is to embark on a journey with two boys as different as they are similar, but who are singularly capable of twisting affection into horror. These violent delights indeed have violent ends––only what violence awaits is part of the experience, unfolding into pure Hitchcockian tension woven throughout every page. It’s a profound story that dissects and explores the intense extremes of human nature.

It’s the early 1970’s when Paul Fleischer enters Pittsburgh university. He’s reeling from the death of his father and trying to recover from an incident that removed him from his previous school. In one of his early classes, he meets Julian Fromme, an intriguing and charming boy who is as drawn to Paul as Paul is to Julian and the two quickly become inseparable. But as their friendship grows into more, the boundaries between affection and obsession blur, until both boys become desperate to prove the lengths they’ll each go to stay together.

Paul and Julian are both deviously smart. They’re young and misunderstood by everyone around them. In fact, when they first meet, it’s because Julian takes Paul’s side in a classroom debate on the ethics in science. Their similar views draw them together, but their perception of themselves is mirrored back to the other, and their fascination pulls them closer still. They engage in hours of debate, pulling apart the theory of what makes someone evil. It’s all a thought experiment and both delight in being intellectually superior, building walls where they convince themselves that no one understands them.

This intense friendship grows into love. A passionate and consuming love amplified by the idea that most of the world would turn on them if the reality of their relationship were public. Whether true or not, they are convinced that all they have is each other. For all their intellect though, both boys carry a fatal flaw. They both carry wounds from a traumatic past. Wounds that haven’t quite healed, and as they partly stem from feeling like outcasts in their own families, bearers of disappointment and destined to fall short of family expectations, these wounds bring them together as much as they threaten to tear them apart. It’s only natural that under the pressure first love can provoke, these insecurities, fears, and doubts begin to fray and crack. Only, by the time they, and in turn we, see these fissures, it’s too late.

This is a story about a very particular kind of love. First love. The kind of love filled with blind certainty that no one has ever loved as intensely or as deeply or as profoundly. At times it’s difficult to remember that Paul and Julian are seventeen. They’re freshman at the university, but only because intellect and circumstance allowed them to attend. And yet, they are old souls, matured from their emotional trauma and aged by their internal scars. When they dissect philosophical questions or evaluate complex psychological ethical dilemmas, it’s with confidence and nuance only slightly tinted by their enthusiasm to mark their age. But beneath that, these questions mark how they’re both trying to find who they are and how they fit in the world, and for the first time have met someone they believe to be their equal. We’re reminded how intoxicating that recognition can be and understand when they both would do anything to keep it.

Often in dark literature, there is a barrier between the reader and the characters. We can empathise but it’s from a distance. It’s safe. But Nemerever has eroded that barrier. We see parts of ourselves in each of the characters, making this an intensely personal experience. This type of intimacy won’t be for everyone. There is a lot of heavy emotion and difficult topics addressed, and like any worthwhile philosophical endeavour, there aren’t tidy conclusions to be reached. It’s messy. And even when––or perhaps especially when––we don’t agree with the decisions these characters make; we can’t help but ache for them. Nemerever never lets us forget their humanity, even when they are in the midst of behaving the most inhumanely. At its heart, this is a story about two boys in a world that refuses to let them be who they are. That demands a life they aren’t equipped to give. What makes it tragic is that both Paul and Julian know this. And they dare to love each other anyway.

It’s difficult to believe that this book is Nemerever’s debut. The language is striking and precise and utterly profound. He wields his descriptions with confidence and strength, leading us into this world where it’s then impossible to leave. There’s a surreal, dreamscape quality to the prose. It’s lush and vivid, lulling us into submission while building an increasing sense of dread. And even then. Even anticipating the dark moments, they still manage to be a shocking surprise, punching us in the heart and the guts time and time again. The anticipation could be a character in its own right, always present, always demanding our attention and appearing consistently. Our anticipation is used against us, eliciting instinctual responses making this book a visceral experience instead of a literary one.

This complete immersion is a testament to the skill of Nemerever’s writing, but it also highlights his concrete grasp into the psychological dynamics of people at large and his characters in particular. This is a book written for readers interested in complex, nuanced, and deeply introspective books. But more than that, These Violent Delights is an emotionally charged story that crawls down into the darkest depths of our subconscious. This is a book that can’t help but provoke internal examination. It makes us think. It makes us feel. It pulls apart what we think we know about people and about ourselves. This isn’t a book to be read once and forgotten. It’s the type of book that unfolds in layers, revealing more about who we are and who we believe the characters to be every time we open the pages.

These Violent Delights is perfect for fans of The Secret History and stories told in Hitchcockian style. It’s an addicting and compelling debut that promises a future of storytelling with a loyal audience. The prose is stunning, where every word strikes succinctly and precisely. It’s a book for readers who revel in slow-building stories where we get to know the characters almost as well as we know ourselves. The intellectual questions, the psychological nuance, the philosophical examination will appeal to readers who enjoy the introspection as much as the story. All in all, These Violent Delights is a book literary fiction readers and dark academia fans will not want to miss.

These Violent Delights is available from Amazon, Book Depository, and other good book retailers, like your local bookstore.

Will you be picking up These Violent Delights? Tell us in the comments below!

Synopsis | Goodreads

The Secret History meets Call Me by Your Name in Micah Nemerever’s compulsively readable debut novel—a feverishly taut Hitchcockian story about two college students, each with his own troubled past, whose escalating obsession with one another leads to an act of unspeakable violence.

When Paul and Julian meet as university freshmen in early 1970s Pittsburgh, they are immediately drawn to one another. A talented artist, Paul is sensitive and agonizingly insecure, incomprehensible to his working-class family, and desolate with grief over his father’s recent death.

Paul sees the wealthy, effortlessly charming Julian as his sole intellectual equal—an ally against the conventional world he finds so suffocating. He idolizes his friend for his magnetic confidence. But as charismatic as he can choose to be, Julian is also volatile and capriciously cruel. And admiration isn’t the same as trust.

As their friendship spirals into an all-consuming intimacy, Paul is desperate to protect their precarious bond, even as it becomes clear that pressures from the outside world are nothing compared with the brutality they are capable of inflicting on one another. Separation is out of the question. But as their orbit compresses and their grip on one another tightens, they are drawn to an act of irrevocable violence that will force the young men to confront a shattering truth at the core of their relationship.

Exquisitely plotted, unfolding with a propulsive ferocity, These Violent Delights is a novel of escalating dread and an excavation of the unsettling depths of human desire.

The post Review: These Violent Delights by Micah Nemerever appeared first on The Nerd Daily.

The Unraveling of Cassidy Holmes by Elissa R. Sloan
Goodreads | Amazon | Book Depository

In vein of Daisy Jones & The Six and Everything I Never Told You, this debut novel probes the dark side of fame after a former pop star ends her own life.

We Are Not Free by Traci Chee
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From New York Times best-selling and acclaimed author Traci Chee comes We Are Not Free, the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II.

To Sleep in a Sea of Stars by Christopher Paolini
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To Sleep in a Sea of Stars is a brand new epic novel from #1 New York Times bestselling author of Eragon, Christopher Paolini.

Anxious People by Fredrik Backman
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From the #1 New York Times bestselling author of A Man Called Ove comes a poignant, charming novel about a crime that never took place, a would-be bank robber who disappears into thin air, and eight extremely anxious strangers who find they have more in common than they ever imagined.

Horrid by Katrina Leno
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From the author of You Must Not Miss comes a haunting contemporary horror novel that explores themes of mental illness, rage, and grief, twisted with spine-chilling elements of Stephen King and Agatha Christie.

Master of Poisons by Andrea Hairston
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Awash in the rhythms of folklore and storytelling and rich with Hairston’s characteristic lush prose, Master of Poisons is epic fantasy that will leave you aching for the world it burns into being.

Night of the Mannequins by Stephen Graham Jones
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Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

The Ghost Tree by Christina Henry
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When people go missing in the sleepy town of Smith’s Hollow, the only clue to their fate comes when a teenager starts having terrifying visions, in a chilling horror novel from national bestselling author Christina Henry.

Cemetery Boys by Aiden Thomas
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A trans boy determined to prove his gender to his traditional Latinx family summons a ghost who refuses to leave in Aiden Thomas’s paranormal YA debut Cemetery Boys.

Ties That Tether by Jane Igharo
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When a Nigerian woman falls for a man she knows will break her mother’s heart, she must choose between love and her family.

The Left-Handed Booksellers of London by Garth Nix
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A girl’s quest to find her father leads her to an extended family of magical fighting booksellers who police the mythical Old World of England when it intrudes on the modern world. From the bestselling master of teen fantasy, Garth Nix.

These Violent Delights by Micah Nemerever
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The Secret History meets Call Me by Your Name in Micah Nemerever’s compulsively readable debut novel—a feverishly taut Hitchcockian story about two college students, each with his own troubled past, whose escalating obsession with one another leads to an act of unspeakable violence.

What September 2020 book release are you looking forward to? Tell us in the comments below!

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